Jaclyn Bartlett says Livin’ After Midnight is a unique vampire story with an intriguing commentary on the LGBTQ+ experience.

Having only created parts one and five, Burleson playfully invites us to go for a ride down memory lane and take a chance on a sequel that you don’t know the set up for and have a blast doing so.

Arrow Films announced that it has acquired the distribution rights for the Christmas horror comedy film The Leech.

Combining escalating uncomfortable dark humor with a mind-blowing, outrageous third act of psychological horror, writer/director Eric Pennycoff’s The Leech is a scorcher.

Honeycomb, the feature debut from co-writer/director Avalon Fast, is a strange film in a variety of wonderful ways.

Like its title, Night Shift operates on simplicity. A lone woman in a massive factory experiences the worst possible first day of work ever when a break-in occurs.

Chicken House is a movie that is easy to sum up but impossible to describe.

In grand cinematic fashion, The Passenger is a film that showcases a road trip gone horribly wrong.

Eric Pennycoff’s sophomore feature The Leech is certainly a film that seeks to make the skin crawl and induce an internal tightening at how awkward and uncomfortable it gets.

The Outwaters premiered at this year’s virtual Chattanooga Film Festival and does a great job of making the viewer feel like a part of the terror onscreen, setting up a believable story, and utilizing outstanding practical effects.

Film theorist Walter Benjamin put a lot of importance on the use of video recorders because the machine could reveal hidden moments or aspects of everyday life.

PHANTOM PROJECT holds a bit of appeal in its cuteness, but the story, character development, and even the ghost fail to reach a more transcendent level.

Interface, the “feature” debut from Canadian artist Justin Tomchuck (aka u m a m i), brings together the entirety of the animated web series of the same name into a single cinematic adventure.

Brant Lewis calls Mike Mignola: Drawing Monsters an engaging and fascinating documentary that will appeal to everyone.

Breanna Lucci says The Attachment Diaries has themes that mirage today’s society, giving us a hazy glimpse into what could be our future.

Keeping the machine going.

In Theodore Schaefer’s Giving Birth to a Butterfly, freedom of choice is unattainable within the confines of a nuclear American family.

There is one way I could start this review that would likely be enough information for many readers: If you are the type of person who enjoys ASMR eating videos, get stoked for Wulver’s Stane!

Sometimes the thing that haunts us the most lie in the regrets of our past, and that’s the sentiment that Niall Owens brings to life in his first feature-length film, Gateway.

Writer/Director Jay Burleson melds them together in a retro-styled slasher parody meant to be viewed after its follow-up, The Third Saturday in October Part V.