NEWS
‘Coming Home in the Dark’ Review: A brutal, punishing debut thriller [CFF `21]
What goes on in those moments before unimaginable tragedy, between first seeing someone unfamiliar and realizing that they mean to take your life?
[CFF ’21] ‘Bloodshot Heart’ review: Perplexing genre mash up
The film plays like a 1970s giallo complete with odd and twisty camera work, obsessive relationships, and unbridled violence.
CFF 2021: Summoning the Magic of THE OLD WAYS
When an adventure journalist dares to revisit her home in a remote village in Mexico she discovers that it’s more than her desire that challenges her to face her demons but her fate as well.
[CFF ’21] ‘Five Desperate Women’ review: Made for TV genre fun
The key to a fun made for television genre film is to meet audience expectations almost completely. Five Desperate Women does that, for the most part.
[CFF ’21] ‘Coming Home in the Dark’ review: Nerve wracking, unpleasant, and violent
This kind of beauty can only be juxtaposed by the worst violence.
[CFF ’21] ‘My Heart Can’t Beat Unless You Tell It To’ review
Despite the fanciful name, the film is a much more somber affair.
[CFF Review] Disturbing Romance ‘The Lodger’ Blends Psychological Horror with Fantasy
It’s a fascinating and ambiguous chamber piece that strikes a unique balance between psychological horror and surreal fantasy.
‘The Old Ways’ Review — A gooey, gory exorcism flick with a great sense of humor [CFF `21]
Christopher Alender’s new horror feature The Old Ways is an exorcism movie, and it’s great.
CFF 2021: BLACK MEDUSA is a Transgressive Exploration of Trauma
My final watch of the Chattanooga Film Festival was the secret screening of the unsettling and atmospheric Black Medusa, a film I knew absolutely nothing about before hitting play.