Interface, the “feature” debut from Canadian artist Justin Tomchuck (aka u m a m i), brings together the entirety of the animated web series of the same name into a single cinematic adventure.

Brant Lewis calls Mike Mignola: Drawing Monsters an engaging and fascinating documentary that will appeal to everyone.

Breanna Lucci says The Attachment Diaries has themes that mirage today’s society, giving us a hazy glimpse into what could be our future.

Keeping the machine going.

In Theodore Schaefer’s Giving Birth to a Butterfly, freedom of choice is unattainable within the confines of a nuclear American family.

There is one way I could start this review that would likely be enough information for many readers: If you are the type of person who enjoys ASMR eating videos, get stoked for Wulver’s Stane!

Sometimes the thing that haunts us the most lie in the regrets of our past, and that’s the sentiment that Niall Owens brings to life in his first feature-length film, Gateway.

Writer/Director Jay Burleson melds them together in a retro-styled slasher parody meant to be viewed after its follow-up, The Third Saturday in October Part V.

It probably didn’t take much foresight on her part, but Elise Finnerty’s feature debut embodies a common double-edged sword for the horror genre: It’s “timely.”

Cryo is the directorial debut of Barrett Burgin, written by Barrett Burgin and Mason D. Davis that sets up a unique premise of a science fiction horror.

Three Ways to Dine Well is the kind of horror documentary we need more of.

Voyeur (s) is the story of a man who turns his hotel into a laboratory for his own twisted fantasies, watching others play out what once existed only in his mind.

Filmmaker Mike Schiff kicks off The History of Metal and Horror with a wraparound story set in a nightmare world.

Finnerty, also the writer, tells us a haunted story about an act of beautiful revenge while exploring the themes of generational trauma, grief, and sexuality.

Warping the sounds of those creeks in unfamiliar houses into oppressive claustrophobia and cause for anxiety is apt for a movie that does exactly that.

Directed and written by Kenichi Ugana, Visitors is filled with small moments of fright and huge moments of gore. Yes, a chainsaw gets involved. Yes, it invokes Evil Dead. Yes, it’s pretty great.

The Ones You Didn’t Burn goes on to artfully present the story of a family seemingly cursed by the actions of those who came before them with strong performances and remarkably haunting visuals.

The Creeping is a good old fashioned ghost story screening at The Chattanooga Film Festival. Anna (Riann Steele) returns home to look after her grandmother (Jane Lowe) who is suffering from dementia. Before long, a dark family secret comes to haunt her – literally.

Writer/director Alana Purcell’s debut feature True Believer brings the term “quirky indie comedy” to another level, in a decidedly good way.

Posley crafts a slasher film whose titular killer (Tunde Laleye) patterns his murders after a series of board games, where each game tests its victim’s capacity for survival.