Writer/Director Jay Burleson melds them together in a retro-styled slasher parody meant to be viewed after its follow-up, The Third Saturday in October Part V.

It probably didn’t take much foresight on her part, but Elise Finnerty’s feature debut embodies a common double-edged sword for the horror genre: It’s “timely.”

Arrow Films has acquired distribution rights in the UK, Ireland, US, and Canada for Eric Pennycoff’s Christmas horror-comedy The Leech, set to have its world premiere at Chattanooga Film Festival.

Cryo is the directorial debut of Barrett Burgin, written by Barrett Burgin and Mason D. Davis that sets up a unique premise of a science fiction horror.

Three Ways to Dine Well is the kind of horror documentary we need more of.

Voyeur (s) is the story of a man who turns his hotel into a laboratory for his own twisted fantasies, watching others play out what once existed only in his mind.

Filmmaker Mike Schiff kicks off The History of Metal and Horror with a wraparound story set in a nightmare world.

Finnerty, also the writer, tells us a haunted story about an act of beautiful revenge while exploring the themes of generational trauma, grief, and sexuality.

Warping the sounds of those creeks in unfamiliar houses into oppressive claustrophobia and cause for anxiety is apt for a movie that does exactly that.

Directed and written by Kenichi Ugana, Visitors is filled with small moments of fright and huge moments of gore. Yes, a chainsaw gets involved. Yes, it invokes Evil Dead. Yes, it’s pretty great.

The Ones You Didn’t Burn goes on to artfully present the story of a family seemingly cursed by the actions of those who came before them with strong performances and remarkably haunting visuals.

The Creeping is a good old fashioned ghost story screening at The Chattanooga Film Festival. Anna (Riann Steele) returns home to look after her grandmother (Jane Lowe) who is suffering from dementia. Before long, a dark family secret comes to haunt her – literally.

Writer/director Alana Purcell’s debut feature True Believer brings the term “quirky indie comedy” to another level, in a decidedly good way.

Posley crafts a slasher film whose titular killer (Tunde Laleye) patterns his murders after a series of board games, where each game tests its victim’s capacity for survival.

This is just the first part of this story, as there’s a full-length feature being planned. I can’t wait.

“Never open the door to a lesser evil,” Gracián cautions, “for other and greater ones invariably slink in after.”

The Creeping scratches the itch if you’re looking for a good ghost story.

The Ones You Didn’t Burn is an engrossing supernatural slow burn, that is creepy as it is refreshingly poignant in its take on witchcraft.

This double bill nothing short of a nostaligic labor of love to the slasher genre.

The Creeping is a captivating ghost story which features a sensational cast and astonishing scares that make the film fondly reminiscent of those old school movies of the week.